Pigmented Mini-Henge

Pigmented glass pieces from the Orsoni Workshop in Venice, which are cut up to make "smalti", or mosaic tesserae. But here acting as an adult's excuse to play building blocks.

Two Medieval Men Kissing & Other Delights

This is a round encaustic tile from a medieval English pavement. The sequence of images tell a story (apologies but I cannot remember which story... it involved a king. Duh), and are the earliest set of surviving figural tiles from the British Isles. Although the men appear to be, and are indeed kissing on the lips, this was a way of passing on luck, and wishing well, for a journey rather than any more Hellenic form of younger-older male bonding.

Rather more appropriate to ambivalent European depictions of love is this delicate, but morbid, depiction by a Flemish painter from the fifteenth century, of a knight courting his object of desire. Pallid and gaunt, looking as if they have a cold, red-tinged flesh flaring at their nostrils and the sides of their mouths, the pair are watched by a disconcertingly over-eager figure of Death, who is either a reminder of the folly of earthly passions, or a stark description of what will be awaiting the man should his entreaties be rejected by the fair damsel. Fittingly the whole thing is painted on the bowing shape of a ceremonial shield.

Above is a scene from an object tenuously named "The Standard of Ur" that has survived from the ancient Sumerian town of the same name, and was recovered from a large Royal tomb. Its surface is decorated in minute mosaics, and show on one side an image of "War" and on the other "Peace", the photo here being from the side of Peace, cattle, goats, harvest and all.

Also from near Ur is this 4500 year old mosaic encrusted column, one of several found at the site of a temple dedicated to the god Ninhursag. At its heart were palm logs, covered in Bitumen, and around which were attached pieces of mother-of-pearl, pink limestone, and black shale.  Each tessera had a copper wire passed through a loop at the back of it and the ends twisted into a ring. The wire was then sunk into the bitumen for attachment. When discovered in 1919, the archaeologists found that the columns were exactly the same diameter as modern petrol drums and so during reconstruction, sections of tesserae, held in place by bandages dipped in wax, were wrapped around empty drums to restore their original shape.


All these items are on public display, free of charge, at the British Museum

Eduardo Paolozzi Mosaics at Tottenham Court Road Tube Station

On the eve of Tottenham Court Road Tube Station's demise (it is being redeveloped into one of the Major Crossrail Stations), I have made this photo tour of the Mosaics that alot of its interior is covered with, designed by Eduardo Paolozzi's Munich studio in three phases in the 1980s. These mosaics have graced my journeys through this station for the past 10 years, and together with the mind-blowing tiling of the tunnels, has added an unintrusively jubilant, and suitably superficial edge to the dowdy patina and standard spaces of this otherwise unremarkable station.

Entrance from Tottenham Court Road

The inside of all that is left of the whole block on the south side of St Giles' Circus (going down to the ticket hall) that used to contain the Astoria, Metro and the Ghetto, as well as that staple of early saturday morning Doners and fish n' chips, Dionysus.

The entrance to the descent of the three escalators from the tiny, low ticket hall is framed by this double arcade of bright primary patterns, through which you enter the commute home as if going into some sort of flamboyant, underground basilica. 

The Central Line Mosaics, completed in 1982, are all candy-coloured exuberance, as if the mosaic artists had been weaving a tribal fabric for the kingdom of Soho and Bloomsbury above, pouncing out of the walls like banners in a parade. 

More After The Break...